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Video and Film

Credits for Short Films:

Mar 2026 Art Assistant - Birdie, Tamara Khoury

UBC Film featuring at the 36th Persistence Of Vision Film Festival

 

Feb 2026 Assistant Editor - Pierrot, Julianne Pascua

UBC Film featuring at the 36th Persistence Of Vision Film Festival

 

Jan 2026 Production Assistant / Script Advisor - From The Sea, Anton Hing

UBC Film featuring at the 36th Persistence Of Vision Film Festival

Dec 2025 Script Advisor - Head to Heaven, Anna Sreekullkorn

UBC Film featuring at the 36th Persistence Of Vision Film Festival

 

Aug 2025 Production Assistant – Doomscroll, Alycea Wood     

Awarded Audience Choice Award at the Innovate Film Showcase at the Vancouver Playhouse

Apr 2025 Translator – DISPLACEMENTjungleMIX.mp4, Joshua Brad-Lee Garrido

UBC Film Production Student Film – Part of Naked Cinema XI

Apr 2025 Grip – Longing Bay Shore, Bobby Pan & Orion Zhang     

Posted by Independent Shorts Awards

Mar 2025 Grip – The Girls Before Us, Tasha Mackenzie        

Annual UBC Film Society Production

 

Feb 2025 Script Advisor & BTS – The Ballad of a Native Man, Penny J. Gullion

UBC Film featured at the 35th Persistence Of Vision Film Festival at the RIO Theatre

Video Assistant for Asteria Films

Screenshot 2026-08-03 at 21.27.36.png

Maniac, 2025

An assignment prompted as 'Make a one-minute musical, using only one light, about being weird at the end of the world.' I casted Larissa Lee immediately as I knew she would be the perfect fit for this, and we decided on 'Maniac' by Conan Gray quickly. I wanted to portray how she was just a typical being in society, just a student in lectures, who freaks out later and takes control instead of being the listener and follower. How we find her dancing going crazy all around the lecture hall, letting her own voice be heard, almost as if its the end of her world.

Freudian, 2024

Freudian was a short film I did with my two friends, Josh Cenezero, and Erin Lee's help. Inspired by 'Freudian' by Daniel Caesar and Sigmund Freud’s psychoanalysis theories, how we attribute our thoughts and actions to unconscious motives, to the theory of the unconscious mind, unacceptable feelings deep down and anxieties, how we’d overthink from mixed signals and become hesitant. I wanted to portray how lighthearted our generation takes relationships, almost as if genuinity isn’t appreciated anymore.

Document of the City, 2024

A documentary filmed for a group project assignment where we were prompted to tell stories of immigration and culture in specific locations. My group chose Richmond Public Market as a culture we're familiar with is gathered there. We interviewed a few stalls in their native language to keep their answers authentic, it was eye-opening to hear the stories of older immigrants moving here as a new immigrant who migrated to Vancouver, BC recently. I loved seeing how Vancouver meant such different things to each immigrants and I relate as well.

The Argument, 2024

An assignment where I was given a script to shoot, then directed in a tragically dramatic direction. From framing shots, colours, to performances, I wanted to express the idea of how they’re so distant and all they have is the ring holding them back together. I chose the location of these pale, void, concrete stairwells, which I find resembling the two characters' relationship, so heartless that barely any warmth is found in the way they act around each other, exaggerating the emptiness and distance between them.

Chat, 2025

An assignment prompted as 'Make a one-minute film using A.I. on some level, and which has as its goal to make poetry from that A.I.'s imperfections.' Inspired by a true story a friend once told me about her boyfriend asking Chat GPT for advice on cheating. I decided to present this story so ridiculous you wouldn't even believe it. I find this story portrays how silly guys are when it comes to relationship problems and how unrealistic and unreliable Chat GPT is yet the new generation relies on it for almost everything you could need help for.

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